Showing posts with label pixar. Show all posts
Showing posts with label pixar. Show all posts

Monday, July 30, 2018

Disney Pixar Cars Movies and Music, Entry 3 of 3

It's interesting: The third installment of Disney/Pixar's Cars franchise is easily my favorite. The soundtrack is probably my least favorite. One reason might be that for this outing, they didn't include the score, so the run time is only half an hour and a lot of our drives are that long or longer, so it feels even more repetitive.

Digressing a moment, Mal really enjoys listening to the scores. He wants to know the name of each movement, and then later when he plays those scenes at home, he also hums the score.


That's a couple of bars... repeated... from the final race scene in the first Cars movie (yes, he's playing with Cars 3 vehicles).

I would recommend Cars 3 to literally anyone, but it will pack the greatest emotional punch if you've seen the other two movies. It will pack maximum gut-wrenching if you've viewed the other movies multiple times and these are starting to feel like people to you, and how much longer until we move on to the next thing I think I'm going crazy

...

Where was I? Oh yes... Even as a stand-alone, this movie has very ambitious and relatable themes, especially to those of us of a certain age.

I'm going to digress AGAIN, because it seems like my wont this evening. I've read extremely disparaging reviews of Cars. One mentioned that the entire franchise is a victory of marketing over art. I think that art is subjective, but in my experience, Cars is every bit as emotionally-satisfying as, say, Toy Story, without being quite as "Hey! I'm tugging on your heart-strings right here! Feel it!" (And we won't talk at all about "Up," which I like, but good gravy.) And maybe I feel protective of it because my child loves it so much, but here are some things we've discussed because of the movies:

1) That "bad guys" aren't always "mean." He notices that ***no spoiler here*** is extremely personable throughout one of the movies, and asks me, "Is he a nice bad guy?" So we've gotten to talk about how people who have bad intentions can be charming and seem nice, but that doesn't mean they're good people.

2) Death. Oh, gosh, death. Probably because Paul Newman died, Doc Hudson dies between Cars and Cars 2. Mal has told me that Cars 4 is about when McQueen is dead, and Cars 5 is about when Sarge and Carla Veloso are dead. I've had to point out that Doc doesn't "come back," even though he makes appearances in the third movie. He's represented on old film and in McQueen's memory. Mal understands enough to know he doesn't want to die. He's asked about James's and my grandparents. He's being able to work through these scary and complicated issues because of a few animated films.

3) Concentration and frustration and anger are different emotions but might look the same on someone's face. This comes up from the way the cars look when they're really racing hard. There are times McQueen is having run racing, and his concentration is underlied by joy. But sometimes, he's just trying his hardest and it doesn't look great... Oh, also, somehow animators MAKE A VEHICLE HAVE THIS RANGE OF "FACIAL" EXPRESSIONS, so you can pipe down about "artless." Anyway, we've talked about how to think about a situation to try to figure out what a person (er, automobile) is feeling. In other words, empathy.

There are other things, like the scenarios he creates when he's playing with the toy Cars. Like he'll make good guys decide to be mean, or bad guys take a new lease on life and are kind. Or one car will give another one a pep talk to get them to do something they're scared of. Again, it's all play/work through some pretty deep experiences. I'm grateful to the franchise for those opportunities.

Back to the actual Cars 3 installment...

Lightning McQueen isn't as young as he used to was. He finds that the newer-generation cars are simply physically faster, no matter how hard he pushes himself. After a huge set-back that causes McQueen to miss out on the end of a racing season, he is faced with the reality that his career might be over, and has to decide where to go from there.

After having seen the movie once, going back and watching his training scenes and realizing what is actually happening... I'm seriously tearing up writing this. It is so simple and elegant and beautiful. The relationships that develop among several generations of cars throughout the story are hopeful. Comforting. The things McQueen learns about his mentor, and the end of his racing career... whooo. I can't. I can't talk about it. Let's move on.

Nathan Fillion is in the movie, too, so there's that.

I've seen reviews that talk about how this is an interesting examination of how aging athletes deal with their futures, but, I'm telling you, it's applicable to every career, to everyone. I can't say anymore because I'll spoil it.

This is too long for me to go into much detail about the soundtrack, so I'm just going to list it and then share my favorite song.

Kings Highway - James Bay
Truckaroo - Brad Paisley
Thunder Hollow Breakdown - Brad Paisley
Glory Days - Andra Day
Ride (feat. Gary Clark Jr.) - ZZ Ward
Drive My Car - Jorge Blanco
Freeway of Love - Lea DeLaria

The two songs by Paisley are instrumental, and a lot of fun. It's amazing how different "Glory Days" sounds from the 1980s song it covers. "Ride" is the one Mal started singing first, and he loves it best. I was skeptical of an Aretha cover, but "Freeway of Love" is pretty good.

My favorite song I have been unable to find a correct lyrics listing for anywhere online. But the parts that mean the most to me are at the beginning, when he speaks of feeling the "outstretched hands of time" with foreboding. Then he decides that he's going to be purposeful and do what he has to do, so everything changes. "I shake the outstretched hands of time." Then later, the bridge: "When I lay on my pillow at night, I think about what's still going right and thank the stars up above there's still things left that I love." <3 <3 <3 Same, man. Same.



Tuesday, June 19, 2018

Disney Pixar Cars Movies and Music, Entry 2 of 3

"Cars 2" was our entree into the entire Disney/Pixar Cars franchise. Mal watched it about a year ago, and rewatched it, and just kept watching it. He loved it. I'm tempted to say that, though thoroughly enjoyable, it's my least favorite of the trilogy... But when I think about it, it actually has a lot going for it. It's just very different from the other two films.

Unlike Cars and Cars 3, Cars 2 doesn't focus as much on Lightning McQueen (even though the film is about his participation in the World Grand Prix). Mater actually takes center stage in this movie.

If you are a James Bond fan, this movie is likely to tickle you. There are so many parallels, from Michael Giacchino's characteristically Bond-sounding score to the intrigue plot, down to the name of a female agent recruit: Holly Shiftwell.

The story itself centers around a nefarious plot surrounding a multi-national automobile race. Finally allowed to tag along with McQueen (which isn't the first time he's had to heed Sally's empathetic advice in this regard), Mater finds himself accidentally embroiled in the criminal activity, but with the good guys, of course.

There are several international locales represented here: Japan, Italy, and Great Britain. To see a Cars take on them is a lot of fun, most notably the Japanese restrooms. Some friends recently visited Japan and said they do not understand why our toilets are stuck in the dark ages. Mater might have a different take.

Right now, Mal doesn't have any kind of context for "dead," but it comes up a lot in the movie. We don't actually see any characters die directly, but from dialogue and a cutaway scene or two, it's clear that they do. That might frighten some kids. It seems a little intense to me, but I guess is in keeping with the spy/bad guy theme.

What ends up being the biggest plus for this movie is that the overt theme is just a vehicle for the more subtle, overarching ones: being yourself, accepting people for who they are, what it means to be a friend... and maybe that you should be kind to all people because some marginalized groups might just unite under one bully who doesn't underestimate them??

No song sums up the first three quieter themes like Brad Paisley's Nobody's Fool. "Now I’m nobody’s fool/ It ain't no fun anymore/ 'Cause now that I’m nobody’s fool/ I'd rather be yours./ Well you know what they say/ The truth sets you free/ And that’s just great unless you don’t wanna be..." What great lyrics. I'm telling you: I have historically not appreciated country music, but Paisley's going to turn me, if we keep listening to these over and over and over again.

It's pretty appropriate that this Cars soundtrack also includes a Cars (the 80s band) cover: "You Might Think," performed by Weezer. Then, to go along with the global visuals of the film, there is the pop/dance "Polyrhythm" by Perfume; and the French "Mon Coeur Fait Vroum" (or "My Heart Goes 'Vroom'"), written by Giacchino and performed by BĂ©nabar.

The song I'll feature here isn't necessarily my favorite song (which just might be "Nobody's Fool," dang you), but is both a fun summation of the movie, and a gentle reminder that our world is indeed global, and we can't "sit this out no more." Although the lyrics focus on superficial differences (and, annoying to me, repeat the monetary part when I could have liked to hear a fresh comparison) and never actually addresses any of the deep issues that we allow to divide our countries from one another, the reminder that our best hope is to see the best in each other is definitely a timely one (even though the movie came out 7 years ago).


Thursday, May 31, 2018

Disney Pixar Cars Movies and Music, Entry 1 of 3

To say my life has been monopolized by Disney Pixar Cars for the past half a year is no understatement. I think it started when my mom found a Cars 2 busy book a while before Mal's birthday. Though she made a cursory attempt to "hide" it at her house, Mal found it and played with it often before he turned 3.

Since then, we've watched each of the three movies multiple times, though often only a bit at a time, and frequently with some scenes played over and over. Eventually, we purchased the soundtracks, as well, so I'm pretty well-versed in those as I have a child who revels in repetition even more than most.

While my appreciation of the movies has grown with subsequent viewings, and because of my son's fandom (oh, and I do have a definite favorite, but we'll get to that soon enough), I have been so taken in by the music from the soundtracks. Enough so that I wanted to talk about them here, and share one song from each collection with you.

So without further ado, let's chat about Cars 1 ("There's not a 'Cars 1'!" is Mal's refrain, but just saying "let's chat about cars" sounds like I might want to hear about transmissions or something, and I really don't.)

I guess that digression might qualify as "ado." I apologize for that.

The initial Cars movie came out in 2006, and I'd seen it with D, though I don't remember when. Last year, I recommended it to James, and we watched it together. At the end, he expressed surprise that a movie about vehicles could move him in the direction of tears, but you know it's not a Pixar film if you're not crying at least once.

In case you haven't seen it, the basic gist is that Lightning McQueen is a rookie race car who is on the verge of winning the Piston Cup his first season running. He is full of himself, dismissive of others, and might be a bit lonely if he were ever prone to introspection.A series of unfortunate events (probably TM) lands him in a tiny rural town in the middle of nowhere, unable to leave, risking his chance at the final race of the season.

The town is Radiator Springs, located in a purposefully vague spot along the old Route 66 in either New Mexico or Arizona. A formerly bustling little place, I-40 has robbed Radiator Springs of its foot traffic and business, jeopardizing the locals' livelihoods.

As McQueen unwillingly gets to know the residence there in "hillbilly hell" (his words), things start changing for him. He still wants to race, and he still wants to win, but by the end of the movie, the audience wants him to win, too. We want everyone in the movie to win.

This movie's soundtrack is a fun mix of rock, Mowtown, doo-wop, and country. It includes Sheryl Crow's "Real Gone" to open the movie. Of course, "Get Your Kicks on Route 66" is present... twice. The first time, it's the Chuck Berry version; for the closing credits, it's John Mayer. "Our Town" is characteristic James Taylor is predictably heart-breaking. And "Sh-Boom" by the 1950s band The Chords is a lot of fun; it's also the only hit they ever had. I think it holds up!

There are a few other songs, and the score is enjoyable, even apart from the movie.

But the song that means the most to me is this one. I never thought that a country song could be the anthem of my life, but this one fits. It's called "Find Yourself" and it's by Brad Paisley, an artist who appears on all three Cars soundtracks. He also wrote and performed "Behind the Clouds" on this soundtrack, and it's a super fun old-school/honky-tonk-sounding country song.

The song is brilliant because of how well it fits the overarching theme of the movie from Lightning McQueen's viewpoint, but also because you can take it on its own, apart from the film, and it's still profound. I was going to write some more but instead, just listen to it. I listened to it four times in a row on the drive home today while Mal slept, and I cried every time.